In our present age of the ultra-produced mixtape, it is also feels messy. Yet it is not so lackadaisical as the most recent effort from Suri’s fellow Das Racist emcee Victor Vasquez. He is conspicuously absent from Wild Water Kingdom, and maybe that’s for the best. Heems deviates from his neurasthenic monotone on several tracks, as if he were trying to make up for the loss of Vasquez’s more robust voice, and the result is a broader dynamic range. Wild Water Kingdom sounds like a step forward. It is not perfect. It is frequently idiotic. But what matters is that it is often and startlingly both